Event Duties

Setup/Before Reception

Call time: 4pm at Creative Arts 153 (Paul & Alberto will be doing pick ups)

• Geoff - make sure the room is open
• Decorations: Skye & Animation Club
• Set up Tables: 4 (3 for food, 1 for swag & Animation DVDs)
• Get food prepped - cut bagels, baguettes, etc.; setup up food & drink
• Will Call: Geoff & Evan

Reception

• Lay out food around 6:15pm
• Alberto - bartender
• Paul - food maintenance
• Start putting food away at 7:15pm and moving people to the auditorium
• Clean up: Britney, Alberto & Nicole + volunteers: 7:15-7:30pm

Awards & Film Event

• Doors open at 7pm
• Ushers/Ticket Takers: Chris & Haroon + 2 volunteers; distribute programs
• MC: Skye & Paul, prize giveaway begins at 7:15pm

Chi-Hui Yang Interview (Paul/Alberto)

Chi-Hui Yang is the director of the San Francisco Asian American International Film Festival and a student in the M.A. program in Film Studies at SFSU.



Interview on You Tube

Download .aiff file

SF Examiner article on Chi-Hui

Evan & Skye's Interview

Interview with Jennie Marie Alder, Volunteer Coordinator for this years San Francisco International Film Festival.

Interview w/ Jennie Marie Alder

Chris Loukides Interviews Janis Plotkin

My Music Media Box

Indo Music Code Generator by musik-live.net

Janis Plotkin shares with us how she got into film and programming festivals. She talks about her experience directing the SF Jewish Film Festival from its beginnings and now the Mill Valley Film Festival. She also talks about how festival programming has changed over the years, how she liked to use the Jewish Film festival to break negative stereotypes about Jews, and how she always looks for films that do this for all ethnic groups, presenting them in a new light. Thanks again Janis : )

Final Meetings with Kirthi May 7

Meeting One on One with Kirthi Friday May 7, 2010

12:15-12:35:Paul

12:40-1:00: Chris

1:05-1:25 ???Alberto????

1:30- 1:50:Britney

1:55- 2:15: Geoff

2:20- 2:40: Evan???

2:45- 3:05: Nicole

3:10-3:30:

3:40- 4:05: Skye???

Publicity and Marketing notes from 3-12-10 brain storming:

- Ask Professors that we have connections with to offer extra credit for going to or entering films into the film finals

- presenting to classes (production ones are best probably) and have flyers and call for submissions if they want on

- designing and printing posters for around campus (fine arts building, Cesar Chavez: banners in and outside of

- get ad on the flat screen in Cesar Chavez building, I have the paper work

- Putting ads on screen savers in computer labs, ask scott about it, I monitor the digital cinema lab

- a night time projection on campus with music, popular movie clips, our trailer, tattoos? (Paul's idea), live animation with over head (also Paul's idea)

- have scott and cinema collective e mail the call to submissions to their mailing lists

- press release to me put and papers and other media outlets

- maybe have an item that goes with the theme on campus, like gold balloons, fake gold bars, etc. (if we go with golden anniversary theme)

Chris

Call for Submissions- Class Outreach

ONLINE Plan
Facebook: Brittney will make a FB page, invite us, and add the image Haroon sends as our profile pic and other info to get us going. (done)
April 6- Brittney send out message to FB fans reminding them about EARLY DEADLINE

Blogger: kirthi make blog for event (skye design)
-post call for submissions etc

Call for Submissions_ Image and Application Plan
-Haroon makes image for Call for Submission (color version and version to print b/w) (send color 72 to Britney and KN for facebook etc)
-KN makes guidelines and call for submission (note early deadline 4/12, late 4/28, cinema office), make as google form
-Post to blog and facebook


Flyer Call for Submissions Flier Plans (Alberto lead, rest of class distribute)
Image design: Haroon Makes Call for Submissions_emails group

Posting Call around cinema Dept (full size):
(April 5) Alberto - Prints full size Fliers: Print one flier and photocopy rest. 40 full size (8 1/2 x 11) these fliers will be posted around cinema dept and pre-designated areas where cine students are, email group when done- group figure out who puts up where.
Post Flyers Up: Paul, Geoff, Nicole, (Haroon to living residents)

Small Call for Submissions that can be handed out (orginal 4/page, needs to be cut)
(April 5) Alberto prints out 1 copy and photocopies 40 small fliers (4 to a page version that needs to be cut into 4 to make 160 small fliers- USE IMAGE HAROON PRE-templated 4 to a page). email group when done. people take a stash and hand out!

NOTE: there is a stack of paper in my mailbox in the cinema dept (KIRTHI NATH). use this. and this can also be the storage place for people to pick up. ideal if a couple people can distribute to rest of class so cinema dept not worried about students in mailboxes etc.

Goal: have fliers printed april 6, posted around dept April 8, handing out April 6-13.


Call for Submissions Class Presentations:

Please announce the call for submission in your class. REVEIW the guidelines on the call for submission so you are familiar with restrictions and application process (i.e. only cinema students, only if done via class or independent study, 20 min max, etc).

Mondays
9-12, 1-4 CINE 310 Workshop in Film Production (Jakaitis, FA 444)
9-12 CINE 355 Screenwriting I (Hoxter, CA 115)
9-12 CINE 762 Advance Cinematography and Lighting (Zarchy, CA 112)
1-4 CINE 203 Intro to Film Studies and Production (Aginsky, FA 101)
4-7 CINE 373 Film & Society (McBride, FA 101)
4-7 CINE 408 Israeli Cinema (Plotkin, HUM 277)
4-7 CINE 755 Feature Screenwriting (Hoxter, CA 115)
4-7 CINE 525 Cinematography and Lighting (Zhang, FA 438)
7-10 CINE 344 Science Fiction Film (Persley, FA 101)

Tuesdays
9-12 CINE 304 Women and Film (Lau, CA 115)
9-12 CINE 355 Screenwriting I (Upham, CA 112)
9-12 CINE 362 Animation II (Naas, FA 349)
9-12 CINE 712 Production Practice III (Jackson, FA 438/349)
10-1, 2-5 CINE 310 Workshop in Film Production (Schulz, FA 444)
1-4 CINE 540 Issues in Film Theory: Sound and Voice (Sjogren, FA 101)
1-4 CINE 555 Writing and Performing in Film and Theatre (Boswell, CA 115)
1-4 CINE 712 Production Practice III (Jackson, FA 438/349)
4-7 CINE 355 Screenwriting I (McBride, CA 112)
4-7 CINE 409 Latino Cinema (Martinez, EP 101)
4-10 CINE 525 Cinematography and Lighting (Sundaram, FA 438)

Wednesdays
9-12, 1-4 CINE 310 Workshop in Film Production (Holmes, FA 444)
9-12 CINE 354 Short Format Screenwriting (Millsapps, CA 112)
9-12 CINE 651 Experimental Animation (Gorzycki, FA 325)
1-4 CINE 722 Narrative and the Independent Tradition (Rickman, CA 115)
1-4/4-7 CINE 510 Film Directing (Goldner, FA 143/438)
4-7 CINE 508 Steven Spielberg (McBride, CA 115)

Thursdays
9-12, 1-4 CINE 310 Workshop in Film Production (Millsapps, FA 444)
9-12, 1-4 CINE 468 Advanced Animation Workshop (Gorzycki, FA 325)
9-12 CINE 340 Critical Studies (Lau, FA 101)
9-12 CINE 455 Screenwriting II (Kovacs, CA 112)
9-12 CINE 526 Optical Printing (Holmes, CA 438)
2-5 CINE 524 Digital Sound For Film (Jackson, CA 115)
3:30-6:20 CINE 327 Anthropology and Film (Biella, BUS 108)
4-7 CINE 306 Chinese Documentary Film (Zhang, FA 444)


Fridays
9-12 CINE 310 Workshop in Film Production (Kapil, FA 444)
9-12 CINE 365 History of Animation (Cohen, FA 101)
9-12 CINE 527 Documentary of Social Justice and Health (Poulain, FA 349)


Evan
CINE 442 Producing & Financing, Ujlaki (T 4-7)
CINE 410 Italian Cinema, Kovacs (W 9-12)
CINE 410 Chinese Cinema, Lau (W 1-4)
CINE 372 Film Theory, Hammett (F 9-12)

Haroon
CINE 745 Documentary Issues, Nichols (W 9-12)
Film & the Holocaust, Goldner (TH 5-8)

Paul
CINE 342 Intro to Documentary (Nichols T 9-12)
CINE 770 Creative Process (Sjogren TH 9-4)
CINE 726 Grad Thesis (Hammet F 1-4)

Alberto
CINE 303 GWAR Copla (Hammet M 10-12)
CINE 302 Film History II Copla (Kovacs 2:10-4:55)